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	<title>Zack Kline, Violin &#187; Music Theories</title>
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		<title>Top 5 Ideas for Improvising</title>
		<link>http://zackkline.com/blog/index.php/2008/top-5-ideas-for-improvising/</link>
		<comments>http://zackkline.com/blog/index.php/2008/top-5-ideas-for-improvising/#comments</comments>
		<pubDate>Sun, 30 Mar 2008 18:18:26 +0000</pubDate>
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				<category><![CDATA[Music Theories]]></category>
		<category><![CDATA[Teaching]]></category>

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		<description><![CDATA[The following suggestions are made with beginning improvisers in mind, though they are good general principles for everyone.
1. Think ahead.  Learn to hear a melody in your head, visualize how to play it on the instrument and play it&#8211; all within a split second or so.
2. Seek ultimate variety in melodies, phrase length, ammount [...]]]></description>
			<content:encoded><![CDATA[<p>The following suggestions are made with beginning improvisers in mind, though they are good general principles for everyone.</p>
<p>1. Think ahead.  Learn to hear a melody in your head, visualize how to play it on the instrument and play it&#8211; all within a split second or so.</p>
<p>2. Seek ultimate variety in melodies, phrase length, ammount of rests and notes, and note patterns.  Play with expectations.  Allow yourself to be surprised, too.  </p>
<p>3. Practice scales and patterns.  These are the building blocks and the cannon fodder.  </p>
<p>4. Learn harmony.  Track the chords as you play tunes, or at least be able to do so easily if you want to.  A familiar tune should be like a drive through a familiar city.  At each moment you know exactly where you are and you can picture the route you&#8217;ll take to your next destination.  You also know many possible routes you might choose to take.  </p>
<p>5. Play &#8220;ideas&#8221; not notes.  Just as we should think a note or two ahead so as to be prepared, on a grander scale, we should endeavor to play a sound we conceive in our head.  This is different from just rearranging notes and patterns we&#8217;re familiar with.  Rearranging notes and patterns is one way to think when improvising, but if it&#8217;s just playing riffs with nothing to balance it out, it can get old pretty quick.</p>
<p>&#8212;</p>
<p>PRACTICES</p>
<p>Play over a drone.  Good for intonation and coming up with ideas.  Also, more fun than playing alone.</p>
<p>Get as familiar as you can with the styles you want to emulate.</p>
<p>Make up scale variations and technical exercises using patterns you&#8217;d like to get better at.</p>
<p>Sing melodies and play what you sing.</p>
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